The fine tuning of these controls is what will ultimately be the basis of many of your variations. You have control over the hammer hardness at various velocity levels, as well as control over the first eight harmonics of a sound(raise or lower them as you wish). Voicing– Most of your major tweaking will be done here. Finally, the direct sound duration controls the length of the initial attack of the sound, although it is also linked to the hammer controls and unison width. You can also change the unison width here, which is the tuning between strings of a single note(which is the exact recipe for a honky-tonk piano), and octave stretching, which can change the frequency range that an octave takes up(to put it simply). Scala files are also supported if you want to load your own custom tunings into Pianoteq. Tuning– Here you have the ability to change the diapson(frequency base/overall tuning) of your piano, as well as select from a number of temperaments. The top three sections give you direct control over the actual model itself. Fortunately, the manual guides you through all the controls to give you a general understanding of how they work.Īs you can see, the interface is divided into six distinct sections. These controls go deep into the design of a piano and will only make sense right away to a piano tuner. The first thing you may notice is how many controls on Pianoteq you may not be familiar with. The interface is simple and easy to tweak. Some of the controls are covered by panels that slide out of the way. Upon opening Pianoteq, I was greeted with a very pleasant interface. It also loads rather quickly, another welcomed “feature” that sampled pianos don’t often give you. Final Thoughts- One Piano To Rule Them All?Īs stated above, Pianoteq weighs in at around 15MB in size, which is very welcome in a world where sampled pianos often take up dozens of GB’s of your hard drive.Icing On The Ivory Cake- Useful Additions in Pianoteq. Big Power, Small Size- How Does It Sound?.
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